Zelle 092215-84

Zelle – USA

Who Will See Me? Who Will be Seen?

When I accepted the invitation to be photographed for the Embody Project it felt right and natural. Being naked is something that comes easily to me. I am not an exhibitionist; I am simply most comfortable when I am in my skin. I live many hours of my day and night without clothes on, unless of course when I am cold, and I reach for some socks. When I am naked, there is nothing to hide.

 

Strangely enough, being seen was a part of the Embody Project that I didn’t anticipate. It sounds funny to say that I didn’t expect to be exposing my form when I said yes to being photographed and interviewed for a project being published online. I’m an intelligent and aware person. Why did it not sink in until now that being in full view is a key aspect of the project? I had an abstract notion that my likeness and words would be digitally published and preserved, and on display for others to see when I said yes. I considered being seen in my nakedness by business colleagues or heaven forbid, by my mom, my siblings, or anyone from my quiet hometown.

 

When I participated in the interview and photoshoot all trepidation melted away. As I took off my clothes, I felt more in tune with my body than with my clothes on. I felt the natural essence of me as I exposed my skin to the air and to the relatively unknown person in front of me. I easily and quickly slipped into being fully myself, fully a human being. It extended the world where I feel fully at home.

 

Erica showed curiosity about who I am without needing me to be anything more than who I was. She wanted all of me to flourish, to be embodied and shared. To be fully seen by someone who I have only known a short time is a new experience for me.

 

Cultivating Curiosity

Fortunately I have lived with my wife, Keegan, who fully sees me and who has continued to uncover more of who I am for the last seventeen years. I am extremely grateful to be with the person I love, who totally embraces who I am.

 

Keegan calls herself a zelle-thropologist; she is an anthropologist of Zelle. Her on-going curiosity about me, even after all these years, makes be bubble up inside with joy. In Keegan wanting to know all facets of me, I am able to express me as me, with no filters. I give her that same gift.

 

In experiencing the other wanting to know more from a place of embracing, each of us feels free to share. And as more nuances and intricacies are revealed, the desire to discover more of the person grows. We engage like sculptors who don’t fully know what is hidden within a once jagged rock. We are consensually, gently exposing ourselves and each other, not in a raw or harsh way, but loving, curious and soft.

 

By discovering the beauty of form in motion, we are providing a release from a self-made fortress of seemingly impenetrable granite. We dance and reveal as we engage knowing and being known, participating in an unveiling of essence through the discovery of detail. We emerge, knowing each other fully embodied.

 

We cultivate what Keegan and I call Collaborative Awareness, where we see each other, and are seen, in an upward spiral of knowing and being known. It includes self awareness within each of us, but moves into co-created mindfulness and discovery between us. That’s what happens in relationship as we truly see the essence of ourselves and one another through the lens of curiosity rather than judgment.

 

Together, asking questions, deeply listening, we uncover more to love. The act of simultaneously seeing and being seen, fully embodied, is the deepest form of love I know.

 

Being a Fully Embodied Human

Living a fully embodied life is exhilarating, exciting, terrifying and tantalizing. I know the deep joys of being seen and known. Yet, why do I still want to shy away from sharing all of me with others, fully embodied, fully free? That word shy is interesting. I was often described as shy or quiet as a child. I even tiptoed around my home so as not to be noticed. I prided myself in my skills of stealth and my ability to blend in. “Oh, he’s such nice boy,” people would say. That was all the attention I was interested in, because I believed that by hiding me, I could keep the full human being covered, cloaked and safe. Unknowingly, I continued my tiptoeing ways into adulthood. That is, until Keegan asked me, “Why are you tiptoeing? I was incredulous. There was no reason to tiptoe, and I said as much. “Do I really do that?”

 

I soon discovered that subconsciously I still believed I had a reason to tiptoe and that Keegan was right. I fled to my tiptoes if I felt bad about myself and wanted to hide, I would walk on my tiptoes so as to not to be noticed. Thankfully, I have someone who is curious about me and how I show up in the world. I now have someone who was not only curious about me, but wanted the full primal, emotional, strong, dazzling, silly and unconventional me to be present with her, always. Because she sees me, and continues to see all of me, I almost never tiptoe anymore.

 

Having experienced the Embody Project, I have realized that I want to grow the places where others see me as the full human being that I am.

 

So I am conducting an experiment.

 

I want to expand and share the inner me, to the magnitude with which I shared the outer me during the photoshoot, with everyone I meet. The next five people I see I will think of how it feels to be deeply at home in my nakedness. I will remember how my skin feels when I am naked and fully embodied, and I will practice being one with the person who is right in front of me. After each encounter, I will reflect on what I felt, how it went, and what I’m feeling. After the first five, I will decide whether I want to try sharing the whole of who I am with another five people. I believe I will, but that’s the nature of an experiment. It’s something to try and reflect, and try again, to see what feels right and full to me.

 

I am here in this human body, on this planet, at this time, with these people, and in these situations to love and be loved. What better way to love and be loved than to be a fully embodied, seeing and seen human being? Would you like to be seen too?

Rex 072615_0228

Rex – USA

Liminal Space

 

I live in between
(  )
between here and there
between now  and then
between me and you
between exposed and covered

I live in between
(  )
in the liminal space where there is dying and birthing…. where the water becomes ice and ice, water…. where the wound hurts and  heals….

I live in between
(  )
spaces of calm and agitation
spaces of power and weakness
spaces of presence and scatter
spaces of growth and decay
spaces of open and closed
spaces of vulnerability  and protected

I live in between
(  )
for I know that the greater my liminality
……. the greater my potential.
for I sense that the liminal space
…….. is an infinite space.
for I feel my psyche’s liminality
……..in dim awareness of the unexplored.

Liminal <adjective> 1.) of or relating to a transitional or initial stage of a  process.  2.)
occupying a position at, or on both sides of, a boundary or threshold.

 

The topic of liminality speaks loudly in my  Embody Project process.  Yet, it did not arise amongst initial thoughts of the journey of my own embodiment.  It arose during the course of my interview on the land that was soon to be the site for my photo shoot.   Your stories of embodiment, my stories of embodiment – these are so rich and important.   And when I found myself pondering common attributes of my own stories…. this topic arose – the role and significance of liminal experience.

I chose my Embody Project site pre-meditatively for its open spaces and vistas that remind me of the vastness of both our inner and outer universes.   Open space has its own deep psychic meaning for me and provided inner connection and resourcing for the shoot.   Alas, synchronicity was at work as always!  My awareness landed initially upon the physical boundary before my eyes and the sense that I was standing in a space of transition.  On one side of the waters was a modern mecca of civilization (San Francisco).  Rotate around 180 degrees and the scene changes primarily to one of nature – the hills and coastline of Marin County.  My being felt a sense that boundaries (both physical and psychic) were being cradled in the vast open space of that site.

Eye contact between Erica and I frequently brought me to awareness of the major psychic component in that cradle.  Sometimes, we sat silent in mutual spaces of presence and admiration.  At other times… I observed the inner dance of my psyche in and around polarities tied to the meanings my mind and soul were making of the shoot, of the Embody Project, and of the woman sitting beside me.  Many of those polarities inspired the poem above.  A dance at the edges of vulnerability….. a dance with relaxing versus gripping….  a dance inside the growing pains of a new sense of trust….  a dance with the unknowns and vagaries of human connection….  a dance with authenticity and nakedness.

And Breath…..  the transition begins…   the clothes drop away…..  my skin feels the space….. images captured on camera’s retina….  an awaiting world in need of deep authentic stories…. The dance of the liminal is in full swing.

Brook 071015-100a-2-2

Brook – USA

Run your hands through me. I’m like soil now, embedded in your nails and the lines of your palms. This is fascinating—becoming my own study in decomposition.

You should come over sometime. I have tap water and half a loaf of moldy bread. Everything is a mess. It’s part of the process.

I wore white today. I know better. My heart bleeds through everything. It’s not a problem. It’s just embarrassing.

I write lists of things I know. Actually, I write the same list, everyday, of the three things I know….

  1. I am loved.
  2. I am hated.
  3. My daughter thinks I’m a genius and likes my hair

My therapist continuously reminds me to be aware of stories—the ones I am told. The ones I tell myself.

One time I heard this story about how I’m a greedy piece of shit. I loved the irony.

I pray hourly. My God is a beautiful black woman with ochre coated dreadlocks and good birthing hips. She urges me to be one part kind, one part fierce. My God is a badass mother fucker.

Run your hands through me. I am almost ready to be mixed into the earth. I am almost ready to become something I won’t even recognize.

Come in. Step over yesterday’s projects, stacks of bills and laundry. It’s ridiculously beautiful.

To those who love me, I love you.
To those who hate me, fuck you.

Run your hands through me. I am ready.

Dana 011315-125-2

Dana – USA

The thought of being naked and photographed was a bit scary to me—nakedness never disturbed me but being photographed naked was an unknown.  “Tuck tummy in, shoulders back” etc, all these admonitions.  I soon forgot about how apprehensive I was and began to enjoy being free and being me!

I’ve never thought too much about how I really felt about my body, and I’ve always been happy with it.  I’m very grateful.  It’s not that I’m perfect, but I do feel very blessed.  My mom was my role model. Daddy passed away when I was 11, which was a vulnerable time for me.  Mother did a wonderful job of filling that gap, and I felt fulfilled because she made it that way.  I held her in very high esteem.

I love movie stars, but I don’t ever remember idolizing their bodies.  I remember one sort of low cut evening dress or prom dress, I can remember trying it on.  And I said “Oh, I don’t have enough to fill this out,” and mother said “Well you know, what the Lord has forgotten, you fill with cotton.”

I’ve loved dressing my body, loving to be creative and not like everyone else.  Folks often would comment “Dana, that piece of clothing is so you!  I couldn’t wear that, but you could, and would!” Consequently I have a whole closet full of wonderful clothes, and all are more like costumes.

At the ripe young age of 85, I’ve never been happier with all phases of my life.  When people ask me “Dana, how are you always so up?”  I reply “Well, I tried being down once and I didn’t like it.”  Life is to be lived and enjoyed.  Serendipity is the unexpected discovery of something wonderful—I discover things every day!  No fear.  Fear is “false evidence appearing real.”

My colon cancer and my open heart surgery after a severe heart attack were as close to loss of life as I’ve ever come.  They changed my life forever and made my purpose apparent: to live fully and to love.  My long life has given me a multitude of experiences to draw upon, taught me how to live and enjoy life, and to examine boundaries.  What boundaries?!

I am so grateful to be me and for the wonderful opportunities I have to enjoy life.  Being happy is what all the other girls missed.  What you see is what you get, what you get is what you feel, and feeling is the important thing.  Be grateful for what you have.

DiAnna 011115-276

DiAnna – USA

Throughout the process of preparing and being photographed for The Embody Project, I experienced waves of emotions.

I was mostly excited, confident, and joyous– positive that I had made the right choice in saying Yes to the opportunity to be my full Self: powerfully vulnerable and vulnerably powerful. Yet, I also had moments of being nervous, ambivalent, and insecure. I have come to know that feeling the knife-edge of fear is often my indicator that I am on the right path—that I am about to step across a threshold into a larger version of ME.

Talking with Erica initially to discuss setting, I had a vision of standing in front of a small group of people. My work as a speaker on the topics of sexuality and spirituality is growing and evolving. I feel as if I am in the doorway about to step into a larger, more visible role. I spoke with Erica and felt my emotions rise and tears begin. I envisioned myself surrounded by friends, people who love and support me. Some had seen me physically naked before, some had seen me emotionally naked. I wanted to show up as both…completely myself.

To be embodied means I get to enjoy all the sensations of this body because that is how my spirit comes alive. My work, both personal and professional, for the past 10 years or so has been about embracing my sexuality and my spirituality and encouraging others to do the same. My connection to Source Energy (aka Goddess, The Universe, God, Oneness) is vital for me to feel good about my body. Ego gets in the way about what looks good, but can be circumvented by remembering all the pleasures that happen because I have a body.

As we began shooting, being able to tell each person why they were important to me, why I had invited them to join me, how much I cared for each one, was very powerful. Just as powerful was the ability to receive their loving comments and compliments about me. Hearing that I make a difference, that I am living the life I have envisioned—one of caring, non-judgement, and celebration of others—I could almost forget I was physically naked.

I was able to share my internal dialogue of “too many stretch marks”, “unsightly clothing lines” etc. All the comments that have run through my head about “not good enough” throughout my life reared up, and all it took to quiet them was realizing that these people were saying YES to supporting me when I asked. They were and are willing to love me just as I am, to acknowledge my growth over time, and to cheer me on in moving into greater visibility in my work and my life.

I know I am powerful. I know I am vulnerable. Being both is what makes this Human experience a Divine gift. Being able to share and show all of my Self in this way lets me know that I am ready to accept all of the adventure and joy that is here for me.

Jana 010614-169-2

Jana – USA

I spend a lot of time in my head. I believe that I can use logic and reason to get through every situation. If I just think about it enough, I will solve the problem and everything will be OK. And then I think about this some more and I know it is not true. Because life is more than thinking. Life is feeling and experiencing. In fact, thinking has become a somewhat hazardous coping skill of mine. I can reason myself into a pretty deep hole.

I tend to minimize milestones in my recovery. I vowed to myself that I wouldn’t do that with this project. Today, on the day of my photo shoot, it has been four years and twenty three days since I first received treatment for my eating disorder. Needless to say, my relationship with my body is complicated.

For most of my life I have been afraid of my body. I remember when I was young, maybe four years old, I felt naked without shoes on my feet. I refused to take my shoes off unless I was in the bathtub or in my bed. Until the day she died, my grandmother had another child’s foot prints hanging on her wall with text that read “May I follow in His footsteps” and my name in the bottom right corner. When I was in high school, I overheard two boys in my AP psychology class talking about the way women’s bodies should look. “Fit but not too strong, you know? I don’t want to date a girl stronger than me, but I would never date a fat chick. I want a girl who cares about her appearance.” I excused myself from class and spent the remainder of the period in the bathroom, overwhelmed with anger. I was angry at the boys for saying that, and angry at myself for not being what they wanted.

I was a pretty normal teenager. I liked to read magazines, or rather just look at the pictures. I liked to watch reality TV (America’s Next Top Model was a favorite) and I loved playing soccer. I, like most adolescent girls, was bombarded with images depicting how I should look and act and who I should be in the world. When I was 19 and taking a gender studies class in college, a professor recommended I check out “Killing Us Softly 3,” a documentary on the media and how it presents women. Things started to make sense. I felt validated. Like there was a reason I felt so bad about myself. It also pointed out to me the sexualization and objectification of women. I remember feeling so passionately. I resolved never to let anyone objectify me like that and thus cut myself off from my body.

Ironic, right? I was so afraid of how others might objectify me that I ended up objectifying myself by severing the connection between my mind and body and treating them as opposing parts of me that could not coexist. My body became the end all and be all of who I was. I had to look perfect so that nobody would notice how sad I was inside.

Meanwhile, my mind was constantly racing with thoughts and ideas and feelings.I felt sadness, grief, envy. I wanted to be somebody else. Someone more loveable. I felt determined to repress these feelings as I did not have the skills to handle them. When I was twenty one and in residential treatment, the clinical director gave me a shower quota. I had to take at least two showers a week, she said as she alluded to the “important areas” that I needed to wash… like my belly button. I felt so uncomfortable with my body that being naked in the shower for just a few minutes was too confrontational and too much to bear.

Then  today, I bared all.

I used to spend hours in front of the mirror, flexing and distorting my body, trying to feel a certain way. I spent a lot of time picking myself apart without ever putting  the pieces back together. Before my shoot, I was feeling some emotions that I did not like: sadness; fear; anticipation; loneliness; frustration. I have been trying to feel emotions without becoming them. I often feel overwhelmed by emotions and they seem to take over. On top of feeling all of these emotions, I was nervous that the emotions would keep me from enjoying my time in front of the camera.

When we arrived at the river, I felt cold and the last thing I wanted to do was take my clothes off and get in. I started by testing the waters. Taking my shoes off, and then my socks, and touching my toes to the icy cold water. This river is very special to me. It is where I ran when my parents announced their divorce. It is where I made an island out of rocks so that I could be in the river and “swim” despite having a cast on my ankle after surgery. It is where I came when I was convinced my life was over. And that other time I was convinced my life was over. This is where I come when I need to get grounded.  I like to imagine the rocks on the riverbanks are whatever is troubling me. I throw them as hard as I can across the river and how satisfying it feels when they make a big splash. I take my shoes off and I walk in the water. The mountain runoff is cold even in the summer and the slippery, often sharp rocks stimulate the nerves in my feet. My mind is drawn to the sensation and away from whatever else is in my mind.

The day of my Embody Project photo shoot was no different.  I felt surprised at how easy it was to let go. I was able to notice the presence of my emotions, and also notice the way the water felt as it rushed over my toes and around my calves. I didn’t notice my scars or my tan lines, my muscles or my bones. I just existed for a moment, mind and body as one.

Once my feet were wet, I was ready. I took my clothes off and stepped into the water. My mind was drawn away from all the emotions that had been muddying the water like sediment in a river after a heavy rain. All I could see was clear water all around me. All I could feel were the rocks beneath my feet and the subtle pain shooting up my calves from the bitter cold water. I actually forgot that I was naked. I didn’t feel sexual or objectified, but rather childlike and playful as I began splashing and throwing rocks. I felt so alive and free and embodied. I was present in my body more than I have ever been. I began to enjoy myself and my time with myself.

I am by no means in love with my body every day, but I am learning to be comfortable in it and most importantly, I am thankful for it. I had such a good time today splashing in the cold mountain river water and embracing my body and loving my body. I had hoped and kind of expected that after the fact, I would feel like a different person. Somehow freer or more in touch. To be honest, I feel about the same. The only difference is that I want to do things like this more often.